6/15/2016

NECO 2016 EXPO : Literature in English Objective & Prose Electricity Questions And Answers

Today's examination papers
Wednesday 15th June.
Paper III & IV: Objective & Prose – Literature in English 3:00pm – 5:15pm


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Literature obj
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AFRICAN PROSE
ANSWER ONE QUESTION
each questions carry 30 marks
Amma Darko;faceless
1. Discus the character and role of creamy in the text .
2. With adequate textual reference , discuss any three
narrative devices in the novel.
Bayo dabowale; lonely days.
3. Discus any three themes in the novel .
4.give a detailed accounts of widow’s afflictions portrayed
in the text .
SECTION B
NON- AFRICAN PROSE

ANSWER ONE QUESTION
each questions carry 30 marks
Horace walepole: the castle of Otranto

5.discus the use of irony in the novel

6.give a detailed account of the wedding of conrad as
presented in the text.
Richard wright ; native son

7.give an account of the activities of the crowed during
bigger’s trail

8.write on the character of Mary dalton and er significant in
the novel
Answers


6)
Matilda, the beautiful and good daughter
of Manfred, is intrigued by the portrait of
the young Alfonso the Good that hangs in
her castle. It is clear that she longs for
someone like Alfonso in her life. She
begins to get to know Theodore when he is imprisoned and
realizes that he is a
man of quality. Matilda has never been close to her father
and is trying to figure out why he is so intent on bringing
Isabella back to the castle. When all of the men leave the
castle to find Isabella, Matilda frees Theodore and insists
that he leaves the castle to save his life. She has noticed
that Theodore resembles the picture of the former prince,
Alfonso, and she falls in love with him.
Before Manfred can find Isabella and
force her to marry him, a huge entourage
of knights and courtiers arrive in search
of Isabella. One of the knights,
unbeknownst to Manfred, is Frederic,
Isabella’s father. When Theodore escapes the castle, he
goes to a wood, and finds a
cave. He accidentally meets up with
Isabella and vows to protect her. In the
meantime, all of Manfred’s men and
Vincenza, as well, are looking for
Isabella. Vincenza finds the cave, and Theodore fights with
him, nearly mortally
wounding the man, without realizing that
Vincenza is Isabella’s father.
COPIED FROM NAIJACOMMS.COM


No 8)
MARY DALTON
Mary is a daughter of Mr. And Mrs. Dalton.She is born in a
very wealthy family.Her death in the novel which Bigger is
responsible for, marks the turning point of Native
Son.Mary’s character defines her as a progressive
personality as she defies social boundaries and even her
parents by dating a communist(Jan).She is committed to
improving the lives of the blacks both politically and
personally in America.Mary is characterized by good
intentions, but she is too young either to commit fully to
her chosen course or to have a complex understanding of
those people she wants to render help.
Another good character of Mary Dalton in the novel is her
sense of hospitality; she tries to treat Bigger as a human
being, but little does she know that Bigger might be
surprised and confused by such unpreccedented treatment
from the wealthy white daughter who happens to be his
employer.As an anti-racist, Copied from naijacomms.com Mary thinks that Bigger will
embrace her friendship because to her, Bigger simply
represents a political course she is fighting to achieve, that
is bringing racism to an end in the blacks dominated
Chicago.Through her friendly disposition, Mary portrays a
lifestyle filled with humility, tolerance and high rate of
submissiveness which is in sharp contrast with her father’s
racial sentiments. She swallows her personal
qualities,thoughts and background only to befriend Bigger
because he is black, which is a social taboo to other whites
racial champions.


In addition, Mary treats and cares for Bigger with
thoughtless racism unlike the overt hypocrisy of her
parents.Despite all her good thoughts and feelings for
Bigger, she is tragically murdered by the same person she
cares for(Bigger).To sum it up, Mary in her simple life,
represents a new breed of America whose mission is
terminated by a racial victim
Copied From NAIJACOMMS.COM


No 3)
i) THEME OF LONELINESS AND WIDOWHOOD
This is the most dominant theme of the novel in which
Bayo uses Yaremi and other widows to paint the pictures of
loneliness and adverse conditions associated with
widowhood.The sudden exit of Ajumobi leaves Yaremi in
outer loneliness.As a widow, Yaremi is faced with both
domestic and societal challenges.She talks and walks
alone unlike when her bosom companion is alive who
always cherishes and plays with Yaremi.With the marriage
of Yaremi’s two daughters and long stay of her only son in
the city of Ibadan, her state of loneliness is worsen.She
has neither children nor husband to share her feelings with
both in the day or in the night.

The presence of Woye in Yaremi’s house partially breaks
her moments of solitude, yet she is psychologically lonely
in that most of her ideas die inside her without second
thought from anyone.Apart from Yaremi, Dedewe, Fayoyin
and Radeke share their unique experiences of widowhood
respectively.As widows,they are dehumarized above the
permission of good conscience.Also, they are lured and
forced into second marriage as legalized by the widows’
traditional injunction of Kufi Land.When Yaremi defies the
cap-taking ritual; she is totally rejected by everyone;both
men and women avoid her “like a leper”.Judging from
what has befallen Yaremi, she has come to “a most painful
continuation of her realization that it is going to be a lonely
days”.

ii) THEME OF TRADITIONALISM AND
SPIRUTUALISM

The theory of traditionalism is a belief that customs and
traditions are more important for a society than modern
ideas while spiritualism emphasizes a kind of belief that
people who have died can send message to living people,
usually through a medium.These two beliefs are well
prominent in the novel.Yaremi being a women of
neccessity is tied with these ideologies, thereby, she is
being forced by tradition to go for a second marriage
without options of choice and self determination.By the
reason of traditional bottleneck,Lanwa is to inherit Yaremi
as a second wife reasoning from the fact that he is
Ajumobi’s half brother.

More so, the novel unveils the belief of spiritualism in the
relationship of Ajumobi and Yaremi after his death.There
are evidences in the novel where Ajumobi is conversing
with Yaremi in dreams.The appearance of Ajumobi in many
places in the novel shows the faith of the village in
spiritualism.In addition, Kufi people are habituated to
celebrating their ancestral gods and reverencing
them.Thus, however, typifies spiritualism.

iii) THEME OF VICTIMIZATION AND INHUMANITY
It is not an over statement to say that widows in Kufi
village are inside the hot pot of victimization.Consequent
upon the death of their husbands,their simple lives are torn
apart.They live under the mercy of their husbands’
relatives and inhuman tradition that is bent on molesting
women, especially the widows.None of the widow in the
novel goes scot-free from their male-superiors.Dedewi for
instance gushes out blood amidst over-heated
torture.Yaremi herself is emblematic of human abuse and
supression.Her resistance to second marriage is the
reason behind her excommunication and abuse of her
fundamental human rights.She is not only ostracized but
her belongings are confiscated by the village.It is expected
that everybody must frown at inhumanity and victimization
of the helpless ones around rather we must embrace one
another in love and also defend the weaklings in our midst
copied from Naijacomms.com


No 6)
The Castle of Otranto tells the story of
Manfred, lord of the castle, and his family.
The book begins on the wedding-day of his
sickly son Conrad and princess Isabella.
Shortly before the wedding, however, Conrad
is crushed to death by a gigantic helmet that
falls on him from above. This inexplicable
event is particularly ominous in light of an
ancient prophecy “[T]hat the castle and
lordship of Otranto should pass from the
present family, whenever the real owner
should be grown too large to inhabit it”.
Manfred, terrified that Conrad’s death signals
the beginning of the end for his line, resolves
to avert destruction by marrying Isabella
himself while divorcing his current wife
Hippolita, who he feels has failed to bear him
a proper heir.

However, as Manfred attempts to marry
Isabella, she escapes to a church with the aid
of a peasant named Theodore. Manfred orders
Theodore’s death while talking to the friar
Jerome, who ensured Isabella’s safety in the
church. When Theodore removes his shirt to
be killed, Jerome recognises a marking below
his shoulder and identifies Theodore as his
own son. Jerome begs for his son’s life, but
Manfred says Jerome must either give up the
princess or his son’s life. They are interrupted
by a trumpet and the entrance of knights from
another kingdom who want to deliver Isabella.
This leads the knights and Manfred to race to
find Isabella.

Theodore, having been locked in a tower by
Manfred, is freed by Manfred’s daughter
Matilda. He races to the underground church
and finds Isabella. He hides her in a cave and
blocks it to protect her from Manfred and
ends up fighting one of the mysterious
knights. Theodore badly wounds the knight,
who turns out to be Isabella’s father, Frederic.
With that, they all go up to the castle to work
things out. Frederic falls in love with Matilda
and he and Manfred begin to make a deal
about marrying each other’s daughters.
Manfred, suspecting that Isabella is meeting
Theodore in a tryst in the church, takes a
knife into the church, where Matilda is
meeting Theodore. Thinking his own daughter
is Isabella, he stabs her. Theodore is then
revealed to be the true prince of Otranto and
Matilda dies, leaving Manfred to repent.
Theodore becomes king and eventually
marries Isabella because she is the only one
who can understand his true sorrow.

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